Monografia, Moderno

Anno: s.d.Literacy, improvisation and the public in Yorùbá popular theatre, pp. 6-27
Myth, ritual and song as ’Counter Texts’ in threee plays of Derek Walcott, pp. 28-36
The satanic rehearsals : devils, sex and deviance in Guyanese and Caribbean popular theatre, pp. 37-46
Orature, politics and the writer : a case study of Ngugi wa Thiong'o's novels, pp. 47-59
A tale of two states : language, lit/orature and the two Jamaicas, pp. 60-74
Text, tradition, technology : crossover and Caribbean popular culture, pp. 75-82
Making space for orality on its own terms, pp. 83-90
Prosody and literary texts, pp. 91-95
Orality – (theory) – textuality : Tutuola, Okri and the relationship of literary practice to oral traditions, pp. 96-117
The other half of the story : Nigerian women telling tales, pp. 118-124
«Writin in Light» : orality–thru–typography, Kamau Brathwaite's Sycorax video style, pp. 125-136