Monografia, Moderno

Anno: s.d."The birthday party" : its origins, reception, themes and relevance for today, pp. 7-18
Quine's field linguist and Pinter's dialogue, pp. 19-24
Revisiting the game : one more look at Structure in "The Caretaker", pp. 25-32
"The caretaker" : Cain and Abel Replayed, pp. 33-36
Exiles in "No man's land" and "The caretaker" : a comparison of two of Pinter's Tramps, pp. 37-43
"Old Times..." and older times, pp. 45-52
"Old times" : Pinter's meditation on "Sweeney Agonistes", pp. 53-67
"No man's land" as Dream Play, pp. 69-79
Pinter's game of betrayal, pp. 81-89
History as a single act : Pinter's "Ashes to ashes", pp. 91-97
"You can only end once" : time in "Ashes to Ashes", pp. 99-104
Pinter as novelist, or, Cobbler, Stick to Thy Last, pp. 105-111
"Opening out" : Harold Pinter's "The Caretaker" from stage to screen, pp. 113-124
Harold Pinter's "The go–between" : the courage to be, pp. 125-144
Peopling the wound : Harold Pinter's screenplay for Kafka's "The trial", pp. 145-159
Whydunnit? : Pinter's revival of "Twelve angry men", pp. 161-168