Monografia, Moderno

Anno: s.d.New light on Nabokov's russian years, pp. 3-9
How can ethics exist in Nabokov's fated worlds?, pp. 11-17
Innocence and experience replayd : «From speak memory» to «Ada», pp. 19-25
Nabokov in the Wilson archive, pp. 27-32
Nabokov and Chekhov : affinities, aarallels, structure, pp. 33-37
From biography to autobiography and back : the fictionalization of the narrated self in «The real life of Sebastian Knight», pp. 39-46
The distinguished writer vs. the child, pp. 47-54
"Vision of a 'Perfect past' : Nabokov, autobiography, biography, and fiction", pp. 55-62
Playing Nabokov, pp. 63-73
Things i could have said, pp. 75-79
"Who was becoming seasick? Cincinnatus?" : some aspects of Nabokov's treatment of the communist regime, pp. 81-90
Textual regeneration and the author's progress, pp. 91-97
Vladimir Nabokov and Captain Mayne Reid, pp. 99-106
Nabokov's Monteux books : part II, pp. 107-111
Nabokov's neurology, pp. 113-122
The St. Petersburg text and its nabokovian texture, pp. 123-133
Autobography as alchemy in «Pale fire», pp. 135-141
«Look at the harlequins!» : or the construction of an autobiography through the reader–writer relationship, pp. 143-149
The deconstruction of autobiography : «Look at the harlequins!», pp. 151-158
The last word in Nabokov criticism, pp. 159-165