Monografia, Moderno

Anno: s.d."Shoot myself a Cop" : mamie Smith's "Crazy blues" as Social text, pp. 8-44
News from heaven : vernacular Time in Langston Hughes's "Ask your mama", pp. 45-65
Jazz prosodies : orality and textuality, pp. 66-91
"Remembering when Indians were red" : Bob Kaufman, the popular front, and the Black Arts Movement, pp. 146-164
Saxophones and Smothered Rage : Bob Kaufman, Jazz and the Quest for Redemption, pp. 165-182
Bob Kaufman and the (In)visible double, pp. 183-189
Between black, brown & beige : latino poets and the Legacy of Bob Kaufman, pp. 190-196
Of black bards, known and unknown : music as Racial Metaphor in James Weldon Johnson's "The autobiography of an ex–colored man", pp. 233-256
The role of the blues in Gayl Jones's "Corregidora", pp. 257-273
From "Liberating Voices" to "Methetic Ventriloquism" : boundaries in recent African–American Jazz Fiction, pp. 274-287
The canonization of jazz and Afro–American literature, pp. 288-308
Muzing new hoods, making new identities : film, hip–hop culture and jazz music, pp. 309-320
Nathaniel Mackay's "Bedouin hornbook" : an annotated discography of Specific musical references, pp. 321-337
A bibliography of Jazz Poetry Criticism, pp. 338-346